NOAA (National Oceanic and Atmospheric
Association) is the government agency who controls information
regarding to the current or future weather conditions. For the last
three weeks, we used the NOAA Ship Pisces for the recovery and
deployment of several oceanographic moorings in the Tropical North Atlantic.
(Link for our CRUISE TRACK; select ship PC, last 30 days.)
“We” in this case includes
researchers from SIO and WHOI, the two leading oceanographic
facilities in the world. WHOI did the majority of the work, and
therefore sent more researchers. SIO had only two goals related to
our MOVE project, and sent only me. NOAA provided the ship personnel,
including NOAA officers (drive the boat), engineers (keep the boat
running), cooks, and deckworkers.
Some background: The Meridional
Overturning Circulation (MOC) consists of the Gulf Stream
(transporting warm water north along the Eastern Seaboard of the USA)
and the deep water return flow (transporting cold water south along
the bottom of the Atlantic Ocean). Some researchers say that Climate
Change predicts the MOC to slow down with dire consequences; The
Day After Tomorrow is based on
this idea. It is important, therefore, to monitor the MOC, which is
the purpose of my lab's MOVE project.
Sunny recovery |
Basically,
I was on a boat to save (or at least warn) Jake Gyllenhaal in The
Day After Tomorrow.
--Primary goal: Recover a single
bottom-mounted instrument.
--Secondary goal: Establish acoustic
communication with 4 other instruments.
Recovery was successful; I sent an
acoustic signal to the instrument, releasing it from the seafloor. It
floated to the surface and we spent a long time looking for it
(beachball in an ocean). Once we brought it on board, I downloaded
it's four years of data and made triple-backups.
Acoustic download is an interesting
process, related to the old dialup connections. Those connections
would use sound over the phone line to transmit information; AOL's
“ooooo-uuuu-eeeeee-aa-oooo-aa-ooooo-uuuu-eeee-oooo” described the
phoneline's 56K modem (i.e. 56,000 bits/sec). With the acoustic
communication, I used a similar method (and it even sounded similar),
though only at 140 to 800 bits/sec. This snail pace was enough at one
location, and I downloaded a near-complete set of data. At other
locations, I was only able to “ping” the instrument, making sure
it still existed.
Sunrise after a night of Acoustic Comms |
WHOI was on the vessel to recover their
old full-depth mooring, and deploy a new one. I have taken part in
several such deployment/recovery efforts (see POST),
so I helped them as well. The float for their mooring actually broke
free, so we needed to chase it down near South America.
Schedule:
Day 1-6: Full ahead steam.
Day 7: Deploy WHOI Buoy
Day 8: Partial WHOI Recovery. Acoustic
Communications.
Day 9-10: Catch up to WHOI Float
Day 11: Recover WHOI Float
Day 12-13: Steam to Acoustic Sites
Day 14: Partial acoustic download.
Acoustic Communications.
Day 15: St. Croix!
Day 16-20: Fuller ahead steam (you
always travel faster BACK to port)
Somethings interesting:
--There was one day where the ocean was
bone-glassy. There were 3-4 days where the ocean was a punishing
10-12 foot, with 40 knot winds.
--St. Croix was really neat, though I
was only able to taxi to a beach and hang out. To get back to the
boat, I had to trade my straw hat for a ride; we had spent our money
on food, etc.
--If I wait until the end of a cruise
like this, it gets too long (e.g. description, background,
anecdotes). I'll try to post during the cruise in the future.
There is not much to do in Norfolk, VA |
Galley |
Room |
Workspace |
Movie room |
We remove the side of the boat in order to deploy the mooring |
My job was to hold this line as we put the surface float in the water. |
Float is in the water, a lot of wire and rope to follow. |
Recovery of some floats and bottom release. |
The Bottom floats were a huge, heavy puzzle. |
Pilot Whales on the glassy day |
Engineers cleaning their catch. |
Surface float recovery. |
St. Croix!! |
Beach party time. |
Rainbow |
My instrument |
Home again. |